80th Cannes Film Festival · 11–22 May 2027PR & Marketing
on the Croisette.
A Cannes-based team for the Cannes Film Festival — premiere & red carpet PR, Marché du Film presence, content and press campaigns, sales-stage positioning. Plan your strategy session and tell us what you need handled.
A Local Team,
Built on Experience.
Bulbul is based in Cannes, with more than two years of hands-on experience and expertise at the Cannes Film Festival — premiere PR, video content, event and panel organization, and follow-up. One local contact for your whole week, set up before the lights go down and ready to move fast across every screening, press event and sales meeting.
No juggling five vendors between your premiere, your press outreach and your Marché meetings. Just a crew that knows the Palais des Festivals, works in English and French, and has actually been in the room — for the 80th Cannes Film Festival and every market around it.
Take It Off Your Plate.
Take the whole thing — or just the parts you need. Every service below works on its own, or as one connected setup for your week at the Cannes Film Festival.
Premiere & Red Carpet PR
Press strategy and execution around your premiere — accreditation, talent management, post-screening flow, and targeted outreach across French and international film press.
Marché du Film Presence
Your presence on the Marché floor turned into a branded, content-friendly setup — booth, meeting space, signage — built for back-to-back sales meetings across the Riviera and Lérins halls.
Panel & Screening Organization
From format to guest list to the room itself, we plan and run panels, screenings and presentations at the Marché du Film for brands and productions — logistics, AV and signage included.
On-Site Content & Video
A crew across premieres, the Marché and the Croisette, capturing photo and video throughout the festival — turned into daily recap reels and press-ready content while the festival is still live.
Sales & Acquisition Meeting Prep
Positioning, sales materials and briefing notes for your meetings with distributors and buyers at the Marché, plus a clean way to capture every contact — so nothing lives only on a business card.
Follow-Up & Reporting
The part most teams skip. Media monitoring and coverage reports, automated follow-up for every contact, and edited content delivery — turning twelve days on the Croisette into an actual pipeline.
Turn Your Marché Presence Into an Event.
Screening your film is only half the story — the panel, the presentation, the industry conversation around it is what turns a listing in the catalogue into a room full of the right people. We plan and run panels, screenings and presentations at the Marché du Film for brands and production companies bringing a film to Cannes, handling everything from format and guest list to the room itself, so your slot becomes the one people actually talk about.
Format & Guest List
We shape the right format for your film — panel, Q&A, industry presentation — and build a guest list of press, buyers and industry voices worth having in the room.
Room, Schedule & Logistics
Booking the space, scheduling around the Marché’s own programme, moderator briefing, signage and AV — handled end to end, in English and French.
On the Ground, Then a Recap
One point of contact running the event on the day, plus content capture and a coverage report at the end — so you know exactly who was in the room and what it delivered.
Before · During · After.
Festival Week Prep
Accreditation, a dedicated digital press kit, targeted pitching to French and international film press, and teaser content announcing your premiere or presence — all sorted before the lights go down.
On the Croisette
PR, event and panel organization, content capture across premieres and the Marché du Film floor — plus a local contact who can react fast when your schedule changes mid-festival.
Turn It Into Pipeline
Follow-up sequences for every contact, content edited and delivered, and a short recap — so twelve days at the Cannes Film Festival become results, not a folder of business cards.
Two Editions, On the Ground.
We don’t cover the Cannes Film Festival from a press release — we’re in the Palais, in the Marché, in the room when the Palme d’Or is announced. Here are the last two editions, the 78th and the 79th.
79th Edition · 2026
Twelve Days on the Croisette, One Palme d’Or for Fjord
Twelve days on the ground — premieres of La Bola Negra, Roma Elastica and Histoires de la Nuit, time on the Marché du Film floor, and a seat in the Grand Théâtre Lumière for the closing ceremony.
Read the Recap
78th Edition · 2025
A Historic Palme d’Or for Jafar Panahi
From the world premiere of Honey Don’t! alongside its cast to the Palme d’Or ceremony honouring Jafar Panahi’s A Simple Accident — our first festival on the ground, and the start of two years of coverage.
Read the Recap
The Cannes Film Festival sits inside Film & Entertainment — one of three worlds Bulbul operates in. See how the same standard applies across all three.
Explore Focus AreasGood to Know.
Yes — and we’re not new to it. We’ve covered the last two editions of the festival on the ground, capturing photo and video across premieres, the Marché du Film and the Croisette, and turning it into daily recap content while the festival is still live.
Yes. Accreditation, talent management, post-screening flow, and targeted outreach to French and international film press — the full arc around a premiere.
Yes. We plan and run the whole thing — format, guest list, room booking, moderator briefing, AV and signage — and manage it on the day, from a Q&A after your screening to a full industry panel.
Yes — Cannes is our operational base, not a postal address. We’re onsite at major Cannes events throughout the year, including two editions of the Cannes Film Festival so far, and work in English and French.
Fast. The 80th Cannes Film Festival runs 11–22 May 2027, so if you’re working on something this week, book the earliest slot and we’ll tell you honestly what’s realistic in the time we have.
That’s often the most valuable part. We set up follow-up sequences for the contacts you collect, deliver edited content after the festival, and send a short recap — so twelve days on the Croisette turn into pipeline instead of a stack of business cards.
Yes. Beyond premiere PR, we work on branding, sales materials and positioning narratives that help films and productions land with international distributors during the Marché du Film and beyond.
Both. That’s useful for French media, local vendors and logistics, and for international press, talent and distributors coming in for the festival.
Pick a Time
That Works for You.
Grab a 30-minute slot — you’ll get a confirmation and a Google Meet link instantly.
Drop Us a Line.
Marius Aune, 06400 Cannes
Got a Film? Let’s Put It in the Spotlight.
Tell us what you need handled for your week on the Croisette. We’ll map it in 30 minutes — no pitch, just a plan.
Pick a Time
